Extra passive Fall Out Boy followers might love the group for his or her broad slate of pop-punk hits which have hit the Scorching 100, however over the course of their profession, the band has proven they will do heavy simply as effectively.
As any religious Fall Out Boy fan is aware of, metallic and hardcore are an essential a part of the band’s musical heritage. Every member of Fall Out Boy spent their youthful years enjoying in Chicago space DIY acts like Racetraitor, the Kill Tablet, and Public Show of An infection. Even the ultimate lineup of Pete Wentz’s metalcore act Arma Angelus, which he fronted, included each member of Fall Out Boy, apart from Andy Hurley, who did a stint because the group’s first drummer. After Fall Out Boy hit it massive, guitarist Joe Trohman and Hurley began enjoying within the hard-rock act The Damned Issues in 2009, which additionally consists of Anthrax guitarist Scott Ian, former Each Time I Die frontman Keith Buckley, and Alkaline Trio bassist Dan Andriano. Then, in 2016, Hurley began an all-new straight-edge band known as SECT with members of Earth Disaster and Cursed.
Learn extra: Each Fall Out Boy album ranked
That is why it is no shock that Fall Out Boy has written some heavier songs over time. And to the thrill of many followers, it is wanting just like the band will return to their rock roots on the upcoming album So A lot (For) Stardust, which Fueled By Ramen is releasing on March 24. Whereas we should not essentially anticipate a sequel to 2003’s Take This to Your Grave or 2005’s From Underneath the Cork Tree, distorted guitars had been entrance and heart once more on the album’s first single “Love From the Different Facet.” So, in anticipation of the brand new file, we’re looking at Fall Out Boy’s complete discography to spotlight 15 of their heaviest songs ever, from fan-favorites like “Sugar, We’re Goin Down” to deep cuts like “Snitches and Talkers Get Stitches and Walkers.”
15. “West Coast Smoker” – Folie à Deux (2009)
The final observe on Folie à Deux is outlined by a decent, funky groove that would not be misplaced on a Nineteen Seventies hard-rock album. That nostalgic vibe is smart since Blondie’s Debbie Harry contributed visitor vocals to the tune. However Wentz’s chaotic bout of screams within the outro are what make this observe undeniably heavy, at the same time as Fall Out Boy was clearly shifting away from their emo-pop roots on this launch.
14. “Sugar, We’re Goin Down” – From Underneath the Cork Tree (2005)
Though that is the observe that arguably made Fall Out Boy hit the mainstream, because it grew to become the band’s first single to hit the High 10 of the Billboard Scorching 100, it is nonetheless undeniably heavy. When listening via a pair of high quality audio system, it is laborious to not be blown away by the intro’s chugging, high-voltage energy chords filled with loads of low finish. Neal Avron’s thunderous manufacturing is a giant a part of the equation right here, however so are the understated metallic licks Trohman throws over the verses.
13. “Switchblades and Infidelity” – Venture Rocket / Fall Out Boy (2002)
This is likely one of the first songs Fall Out Boy ever wrote, which is why it is packed to the brim with exuberant, youthful angst. Many of the observe is performed at a breakneck pace, however after a spacious interlude the band goes right into a barely slower model of the refrain that nearly feels like a breakdown. A number of variations of this observe had been launched, however this one, from the band’s break up EP with Chicago space pop-punk group Venture Rocket, has the strongest manufacturing.
12. “Superfade” – Lake Impact Child (2018)
Most of Fall Out Boy’s heavy songs are from early on of their profession, however this one is newer. “Superfade,” off the 2018 Lake Impact Child EP, options high-pitched, hovering vocals from Stump. They sound nearly distorted at instances, like he is straining his voice. The distinction between the extreme orchestral string samples and the chaotic dubstep peaks is what makes this observe hit laborious. For this launch, the band recorded with Sean O’Keefe, who additionally produced Take This to Your Grave. That will have impressed them to return to their heavy roots.
11. “Beat It” – Stay in Phoenix (2008)
The unique model of this Michael Jackson observe that includes an Eddie Van Halen solo is already fairly heavy, however the Fall Out Boy cowl brings it to a different degree. It is laborious to consider a rock singer extra geared up to imitate Jackson than Stump, who has an analogous affinity for the soul- and R&B-influenced corners of the pop world. Plus, Fall Out Boy wished to usher in one other celebrity guitarist for his or her rendition. John Mayer’s solo shred on the observe is unhinged, however it would not overshadow the band’s exact enjoying.
10. “Thriller” – Infinity on Excessive (2007)
The primary observe on Infinity on Excessive covers a whole lot of floor. After an ethereal spoken-word intro that includes Jay-Z, the band jumps proper right into a straight-up breakdown. Though a lot of the tune is outlined by Stump’s hovering vocals and carefully-crafted pop preparations, the band makes use of the breakdown riff as a recurring motif to punctuate the observe. That is one other tune the place Avron’s bombastic manufacturing is vital. With out that meaty guitar tone, the riff simply would not hit as laborious.
9. “Calm Earlier than the Storm” – Take This To Your Grave (2003)
Though this observe is clearly a summery pop-punk banger, there are a lot of understated metallic components on it, as effectively. Underneath Stump’s vocals within the intro, Trohman performs a chugging metalcore-style lead riff, which concludes with a flashy decide slide. The observe stays unquestionably poppy till the very finish. After an interlude the place Stump softly sings a number of strains with none accompanying instrumentation, Wentz unleashes an electrifying fry scream over the outro as the remainder of the band rehashes essentially the most iconic little bit of the observe’s refrain.
8. “Love, Intercourse, Loss of life” – PAX AM Days (2013)
This tune is one in every of many quick, punishing cuts on Fall Out Boy’s 2013 launch PAX AM Days. The EP would not have the booming manufacturing that defines lots of the band’s different heaviest tracks, however it does sound straight out of 1979. A ripping guitar solo, Stump’s shouted vocals, and the band’s sheer pace will depart listeners prepared for a mosh pit. Nonetheless, lots of the tracks on this launch sound unfinished, because it was recorded in simply two days. Simply think about if we might’ve heard Fall Out Boy develop these concepts additional.
7. “Saturday” – Take This To Your Grave (2003)
This observe is a favourite of the band’s, which is why it is typically the final tune on their setlist. With its gritty, pessimistic vibe, “Saturday” leans a bit extra towards emo than lots of the different songs on Take This to Your Grave. The observe is damaged up by a chugging interlude that leads right into a hovering bridge which Wentz screams over. When enjoying it reside, the bassist normally discards his instrument for that a part of the tune so he can get extra intimate with the gang.
6. “The Carpal Tunnel of Love” – Infinity on Excessive (2007)
Followers typically bear in mind this observe for Wentz’s fry screams within the bridge, however that is not the one method it is related to Fall Out Boy’s hardcore roots. “Carpal Tunnel” is one in every of a number of tracks on the band’s second and third albums the place Wentz’s lyrics had been closely impressed by the poetry of Wesley Eisold, the vocalist of the Boston melodic hardcore band American Nightmare. (He really had a public dispute with Fall Out Boy over the lyrics and the band finally settled with him out of courtroom.)
5. “G.I.N.A.S.F.S.” – Infinity on Excessive – Deluxe Version (2007)
There appears to be a sample of Fall Out Boy slicing the heaviest tracks from the ultimate variations of their albums. This tune, which stands for “homosexual isn’t a synonym for shitty,” was launched on the deluxe version of Infinity on Excessive. It is one in every of many bonus tracks on the high of this listing. The facility of the pulsing, buzzsaw guitars maintain this tune grounded as Stump and Trohman layer on their ethereal melodic prospers. Those that get pleasure from this tune must also try “It is Exhausting to Say ‘I Do’ After I Do not,” an analogous bonus observe from the prolonged version of Infinity on Excessive.
4. “Patron Saint of Liars and Fakes” – Take This To Your Grave (2003)
The chunky riff that is the spine of the observe might be the heaviest in Fall Out Boy’s complete catalog. Though the alternating drop D chugs might not have been intense sufficient for an Arma Angelus observe, they’re additionally not that far off the mark. Though it could be adequately subtle for some listeners to overlook, there’s one other Wentz fry scream on this observe that kicks off the outro. The ringing chord that hangs over the top of this observe ends bellies the warmth and depth of the Take This To Your Grave guitar tone.
3. “My Coronary heart Is the Worst Form of Weapon” – From Underneath the Cork Tree – Restricted “Black Clouds and Underdogs” version (2006)
This tune is a full-band model of a observe initially included on Fall Out Boy’s 2004 acoustic EP My Coronary heart Will At all times Be the B-Facet to My Tongue. Many of the tune is a extra affected person, spacious tackle the band’s emo sound, however it ends with a strong breakdown that would not be misplaced on an Arma Angelus or Racetraitor observe. It might be the only heaviest second in Fall Out Boy’s complete catalog. Though this did not make it onto the ultimate model of From Underneath the Cork Tree when it was dropped 2005, the observe was included within the album’s prolonged Black Clouds and Underdogs model, which was launched a 12 months later.
2. “Snitches and Talkers Get Stitches and Walkers” – From Underneath the Cork Tree – Restricted “Black Clouds and Underdogs” version (2006)
That is one other tune solely launched on the Black Clouds and Underdogs model of From Underneath the Cork Tree. All through, it has a basic old-school punk vibe fed by a quick tempo, the crunchy distorted guitars, and Stump’s nearly percussive vocal strategy. There’s a whole lot of pressure and launch within the tune, which is furthered by the chunky palm-muted guitars. “Snitches” is one other tune the place the again half is outlined by Wentz’s croaky fry screams, however the growl he ends the observe on might nearly be described as guttural.
1. “I Slept With Somebody In Fall Out Boy And All I Acquired Was This Silly Tune Written About Me” – From Underneath the Cork Tree (2005)
With its punchy energy chords and sly metalcore licks, this ripper buried within the again half of From Underneath the Cork Tree is heavy from begin to end. Though Wentz normally handles Fall Out Boy’s unclean vocals, for this observe, the band recruited New Discovered Glory’s guitarist and principal songwriter Chad Gilbert (who additionally fronted the influential Florida metalcore act Shai Hulud again within the ’90s). Fall Out Boy’s affinity for Avron’s manufacturing on New Discovered Glory albums like 2002’s Sticks and Stones and 2004’s Catalyst is definitely what made them need to work with him. You possibly can inform that the Florida band’s full-throated easycore sound is the premise of a lot of Fall Out Boy’s early work, notably in relation to the band’s heaviest tracks. If this tune’s blood-pumping, rabble-rousing climax would not get you prepared for the pit, what is going to?
