All The Details on Bill Skarsgård’s Transformation Into Count Orlok in NOSFERATU — GeekTyrant

Robert Eggers’ Nosferatu is making waves in the horror movie world, not just for its great story, atmospheric vibe, and impressive performances, but for Bill Skarsgård’s chilling transformation into the monstrous Count Orlok.

Achieving this iconic look required a staggering amount of effort, artistry, and over six hours in the makeup chair each day. David White, the film’s prosthetic makeup effects designer, recently shared insights into the process, the inspirations, and the secrets behind the character’s haunting final image.

Crafting The Look Over a Year

White began designing Count Orlok nearly a year before production, meticulously sculpting and refining the concept using a life cast of Skarsgård.

Collaborating with his key sculptor, Colin Jackman, and a seasoned workshop crew, White developed prosthetics that captured Orlok’s agelessness, decayed allure, and noble stature. “His age, power, allure, nobility, and extent of decay had to coexist seamlessly,” White explained.

Testing the prosthetics on Skarsgård took months, but the team’s work paid off. “I was fortunate to have a brilliant workshop crew and an amazing on-set team,” White said. “Our dedication and passion were essential.”

Homage Meets Innovation

The design drew inspiration from both history and nature. White recalled discovering Max Schreck’s Nosferatu in a childhood horror book, an image “burned into [his] psyche to this day.”

Additionally, creatures that dwell in darkness influenced the ashen tones and ghostly presence of Orlok.

With Skarsgård’s expressive bone structure and talent, White created something uniquely haunting. “There are echoes of Max Schreck’s version, but only fleeting ones,” White said. “Our Orlok gives a much deeper, more visual interpretation.”

The Grueling Process: Six Hours of Makeup

Each day, Skarsgård spent four to six hours in the makeup chair, depending on the scene. The transformation involved nine prosthetics for his face and head, including custom pieces for his nose, forehead, and cheeks.

For scenes requiring full-body prosthetics, 62 individual pieces were applied by a six-person team.

Even Orlok’s hands were meticulously designed, with finger extensions and gnarly nails that balanced practicality and eeriness. “Robert [Eggers] wanted them slightly arthritic but functional,” White shared.

Skarsgård’s eyes also played a key role in the character’s duality. For Orlok’s “day look,” his natural eyes provided expressiveness, while the “trance state” required milky, white scleral lenses for a deadened stare.

The Mustache The Made the Count

One surprising detail was Orlok’s bushy mustache, a nod to the character’s noble roots. “Robert’s passion for the traditions of the time greatly influenced the final look,” White noted. “Robert really wanted him to have a mustache and forelock. I think this approach was totally correct and I never saw it any other way after that. When you remove these elements, he just doesn’t look like Orlok.”

The Final Haunting Image

In the film’s climactic scene, Orlok dies on top Ellen (Lily-Rose Depp) as sunlight floods the room. It was a gnarly and gross scene and the final shot required extensive collaboration between makeup and VFX teams.

White described creating a husk-like version of Orlok, drawing inspiration from a 5,300-year-old mummified body found in the Alps.

“Robert wanted the feeling of Orlok having had all life sucked from him, every last drop of blood,” White explained. This decayed look, combined with VFX enhancements, delivered a hauntingly unforgettable finale.

Skarsgård’s Count Orlok both a tribute to the horror classic and a reinvention that stands on its own. With a blend of artistry, innovation, and sheer commitment, Nosferatu captures the essence of timeless horror, leaving audiences mesmerized by every detail of the monstrous yet mesmerizing Count Orlok.

Eggers’ Nosferatu is set to terrify and enthrall, proving once again why the genre thrives on craft, vision, and a touch of haunting macabre.

You can read the fill interview on Variety.