The Karlovy Vary Film Festival has unveiled the official selection for its upcoming 57th edition. The lineup comprises 31 films across three sections and a host of world and international premieres. Scroll down for the full list.
Among the lineup is Les chambres rouges (Red Rooms), the latest pic from Canadian filmmaker Pascal Plante, who will compete alongside Iranian filmmaker Babak Jalali and Swedish director Ernst De Geer, who will also debut new works in competition.
The Czech festival’s Crystal Globe competition will feature nine world and two international premieres, while the Proxima Competition for young filmmakers and auteurs with films that defy categorization will screen ten world and two international premieres.
The jury for this year’s Crystal Globe competition will feature actress Patricia Clarkson (Sharp Objects), who will join producer Dora Bouchoucha, Sundance senior programmer John Nein, filmmaker Olmo Omerzu, and Irish actor Barry Ward.
“It has been an incredible adventure for the programming team to get acquainted with this year’s state of the arthouse cinema via almost two thousand submissions,” Karel Och, KVIFF’s artistic director, said. “We are proud of the selection and simply cannot wait to share it with the audience.”
Check out the full lineup below:
CRYSTAL GLOBE COMPETITION
Les chambres rouges / Red Rooms Director: Pascal Plante Canada, 2023, 118 min, World premiere
The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The
border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
Las chicas están bien / The Girls Are Alright Director: Itsaso Arana Spain, 2023, 85 min, World premiere
It’s summer and a group of young women head off for a week to a house in the country in order to rehearse a play. In the peace and quiet of their natural surroundings, which provide a refuge from the intense heat of the sun, the women go through the text and dress up in their ruched period costumes, while in easy conversation they share their secrets, and also have little adventures. This enchanting debut by Itsaso Arana, who co-wrote and starred in August Virgin (Official Selection-Competition, KVIFF 2019), provides an opportunity to stop for a moment, to breathe in the warm air and settle back in the open embrace of this company of women. After all, what kind of summer would it be without girls, a campfire, songs and a touch of magic?
Citlivý člověk / A Sensitive Person Director: Tomáš Klein Czech Republic, Slovak Republic, 2023, 120 min, World premiere
“Growing old isn’t for sissies,” states one of the characters from Jáchym Topol’s acclaimed novel, which, according to one reviewer, is “a comical and brutal report from the flipside of life” and now appears loosely adapted into a film by Tomáš Klein, one of the most talented Czech directors. This darkly grotesque drama sets off down more than one path. There’s the real path – at times grim, at times crazy – via which Dad Mour, an itinerant actor, his wife Mum and their two sons try to return home; and then there’s the imaginary one – more meandering and dusty – along which stirring intellectual youthfulness (or immaturity, as pessimists would have it) feuds with circumstances that force the protagonist to acquire wisdom. A restless and zesty cinematic feerie about love, fear of loneliness, and sons gazing intently at their father.
Dancing on the Edge of a Volcano Director: Cyril Aris Lebanon, Germany, 2023, 85 min, World premiere
A catastrophic explosion in the Port of Beirut on August 4, 2020, devastated not only a large part of the Lebanese capital, but also what remained of its inhabitants’ hopes for a dignified life in a country without corruption. The trauma also paralyses a film
crew in the middle of production. The question of whether to keep on pursuing their dream project becomes increasingly obtrusive. And what of destiny, and its near-fatal impediments? A film about (the genesis of) a film; a vivid account of the state of an exquisite, ailing country; a dramatic ballad depicting a terrible dilemma: Should one remain in a beloved homeland, even if this means living below the threshold of human dignity? Should one press on with a journey rendered in the words of Lebanese poet Nadia Tueni: “I choose the sea in spite of shipwrecks”?
Fremont Director: Babak Jalali USA, 2023, 88 min, International premiere
Getting up after a sleepless night, greeting neighbours, going to work, where she spends her days making fortune cookies. This is the life of Donya, an Afghan immigrant who has now made her home in Fremont, USA. Loneliness and insomnia are problems the young woman is trying to address, initially on her own and later with the help of a quirky therapist. It’s unclear whether it’s harder for her to come to terms with her traumatic past or with her current unsettled existence. Will Donya find a solution by hiding a message in one of the thousands of fortune cookies that get sent out? A lightly wistful comedy about a quest of self-discovery that asks whether refugee status is a condition of geographical location or whether it’s a state of mind. It’s also a film about hope coming along when we least expect it.
Hypnosen / The Hypnosis Director: Ernst De Geer Sweden, Norway, France, 2023, 98 min, World premiere
André and Vera are both life and business partners trying to get a women’s reproductive health mobile app off the ground. On the eve of a weekend programme for promising start-ups, where they aim to attract the attention of potential investors, Vera tries hypnotherapy to help her quit smoking. However, the experience comes with an unexpected side effect: she starts to lose all her social inhibitions. Ernst De Geer’s debut is a fresh, modern satire which profits from situational humour and piercingly precise dialogue. At the same time, the irony of what’s going on is plain to see. An individualistic society may well encourage us to be ourselves, nevertheless, it remains uncompromising in its demands as to how we ought to behave.
Il vento soffia dove vuole / Where The Wind Blows Director: Marco Righi Italy, 2023, 108 min, World premiere
“…You hear its sound, but you do not know where it comes from or where it is going,” Jesus tells Nicodemus (The Gospel According to St John, 3:8). This subtly pervasive film by Marco Righi presents a provocative and exceptionally mesmeric interpretation of a key passage in the New Testament. In a small village somewhere
in the Apennines, taciturn Antimo divides his time between the local church, his tedious work on the farm and his chaste meetings with his girlfriend. His pivotal encounter with the wild loner Lazzaro awakens in the devout young man the desire to reach the very core of a faith far removed from the regular Sunday sermons delivered by a representative of the Church – a powerful institution for which freethinking and devotion to God represent incompatible ideas.
Mokalake Tsmindani / Citizen Saint Director: Tinatin Kajrishvili Georgia, France, Bulgaria, 2023, 100 min, World premiere
On the main square of a mining town stands a cross depicting a saint, regarded by the local miners as their protector. One day, the cross is taken down for repair and the statue of the saint suddenly vanishes. When a mysterious stranger subsequently appears among them, the residents put two and two together… In her third feature, a satirical parable about a saint who descends the cross to live among mortals, Tinatin Kajrishvili wonders what it is exactly that people want to believe in. Do saints have greater significance as inanimate symbols, or do they have the right to exist as living human beings? The carefully composed black-and-white images from experienced cameraman Krum Rodriguez underscore the oppression of life in the mining town and also the absurdity of the emerging situation.
Toorhaye khali / Empty Nets Director: Behrooz Karamizade Germany, Iran, 2023, 101 min, International premiere
Amir and Narges, two people in love, who might be described as having been born under an unlucky star. The young man is from a poor family background and, after he is laid off from his job as a waiter, he is forced to find work in a fishing community. Narges has a higher social status and comes from a “good family”. For the time being, they are keeping their relationship a secret. In order for them to marry, Amir has to earn enough money for a dowry. To add to his problems, he discovers that the fishery employing him is also involved in dishonest business practices… Behrooz Karamizade’s feature debut is a realistic drama set in contemporary Iran which eschews embellishment in order to depict a struggle for the right to love, an entitlement that shouldn’t be contingent on money.
Urotcite na Blaga / Blaga’s Lessons Director: Stephan Komandarev Bulgaria, Germany, 2023, 114 min, World premiere
Blaga is a seventy-year-old recently widowed former teacher and a woman of firm morals. When telephone scammers con her out of the money that she had saved for her husband’s grave, her moral compass slowly begins to lose its bearings… Stephan Komandarev’s past films have systematically criticized the inauspicious
social situation in post-communist Bulgaria, and Blaga’s Lessons is no different. In this evocative drama featuring a masterful performance from Eli Skorcheva as Blaga, Komandarev aims his lens at the lives of today’s senior citizens – a vulnerable group whom politicians so often promise the right to a dignified life… but reality is much different.
Úsvit / We Have Never Been Modern Director: Matěj Chlupáček Czech Republic, Slovak Republic, 2023, 117 min, World premiere
Amidst a thriving Baťa-esque town, nestled in the scenic foothills of the majestic Tatra mountains, lies a factory, whose young director is, for his day (it’s 1937), pleasingly modern in approach. Yet, don’t be fooled, the film’s protagonist is actually his wife Helena (Eliška Křenková). The aspiring doctor is soon to give birth, yet her resolute gaze into her family’s rosy future is suddenly darkened by the discovery of the body of a newborn baby in the vibrant factory’s courtyard. Helena’s innate empathy, intensified by her pregnancy, isn’t satisfied by the conspicuously prompt solution to the mystery. A stirring detective drama with a progressive and profoundly human perspective on a theme controversial not only shortly before the unexpected war, but also decades later.
PROXIMA COMPETITION
Arsenie. Viața de apoi / Arsenie. An Amazing Afterlife Director: Alexandru Solomon Romania, Luxembourg, 2023, 96 min, International premiere
Arsenie Boca, a priest, theologian, and mystic persecuted by the communist regime, is considered holy by many believers, although he has yet to be canonized. Documentary filmmaker Alexandru Solomon and a group of selected believers set out on a pilgrimage in the footsteps of this holy man. Under the filmmaker’s direction, the members of the entourage re-enact scenes from Boca’s life, discuss the miracles ascribed to him, and reflect on the current state of the world. Solomon presents viewers with a colorful, often humorous picture of today’s society seeking to preserve faith in miracles in an era full of contradictory information and global threats.
Birth Director: Ji-young Yoo South Korea, 2022, 155 min, International premiere
Jay, a promising young writer, is publishing her new book, while her boyfriend Geonwoo, who teaches at a private language school, is tipped for promotion. They love each other, take care of each other, and have a great rapport. Until an unplanned pregnancy throws them off course. They didn’t want a child and starting a
family would jeopardise their career prospects. Yet who’s to have the last word if they can’t agree on a solution to the situation? The Korean director presents a tale eclipsed by a sense of dejection in a subtle portrayal of a couple arriving at a crossroads in their life together. When else should one break the taboos of parenthood and the preconceptions of motherhood than when a woman’s right to decide what happens to her own body is again called into question.
Brutální vedro / Brutal Heat Director: Albert Hospodářský Czech Republic, Slovak Republic, 2023, 75 min, World premiere
A massive segment of the Sun has broken off and is heading for Earth, whose surface is slowly heating up to an unbearable level. A strange mood pervades a debilitated world: anything could happen, virtually anywhere, without warning. Even in a sleepy town, where an 18-year-old lad gets stranded on his way to the family cottage. The fact is that no-one knows at what temperature the human character starts to melt… While other filmmakers might adopt a catastrophic premise to tell a story of panic and man’s animal fear, the fresh, creative voice of Albert Hospodářský looks elsewhere. In extreme situations, who runs wild and who remains docile? And can a solar eruption engender harmony as well?
El canto del Auricanturi / The Song of the Auricanturi Director: Camila Rodríguez Triana Colombia, Argentina, 2023, 100 min, World premiere
For many years Rocío thought her mother Alba was dead but now she reunites with her for the first time since her childhood. She wants to tell her that she is pregnant. Alba, however, suffers trauma from the war she experienced firsthand and has stopped talking. While Rocío searches for a way to communicate with her mother, people in the vicinity are dying and tension is growing in the face of an uncertain future. For her feature debut Camila Rodríguez Triana drew on her familiarity with visual art and documentary filmmaking, conceiving the piece as an oppressive audiovisual work, in which the nightmarish events are kept out of shot. This intimate study of maternal love thus unfolds in a powerful atmosphere of fear and distress induced by a premonition of evil.
Embryo Larva Butterfly Director: Kyros Papavassiliou Cyprus, Greece, 2023, 91 min, World premiere
Penelope and Isidoros live in a world where today they are lovers but the following day they scarcely know one another. It is a place where time doesn’t flow, where the days appear randomly in the past, the present, and the future – if these concepts even apply here. Their relationship is constantly changing; it is one continuous uncertainty marked by shared searching and reassuring. Somewhere next to their
world is another where time is linear. It is possible to travel from arbitrary time to linear time, but the conditions for such a journey are mysterious and the price is high… An imaginative film about the paradoxes of time and of romantic and other relationships.
Les Enfants Perdus / The Lost Children Director: Michèle Jacob Belgium, 2023, 83 min, World premiere
Ten-year-old Audrey and her three siblings find themselves abandoned in an old house, where they were meant to be spending their summer holidays with their dad, but he disappears suddenly during the night. Initially, the kids wait in vain for him to come back, but they soon realise they’ll have to take care of themselves, which nonetheless won’t be easy. The forest surrounding the secluded house doesn’t seem to want to let the little castaways through, and bizarre things start to happen, especially after dark. Mysterious monsters afraid of the light, tunnels where time is simply lost – the youngsters have to face all this in a psychological horror which unites the terror and distress of children and adults alike, sensations that, alas, can’t be relieved merely by shining a torch on them.
Guras Director: Saurav Rai India, Nepal, 2023, 114 min, World premiere
Life in Darjeeling in northern India passes by uneventfully. Every now and then, the quiet days are enlivened by a village ritual or an expected drama, as when nine-year-old Guras’s beloved dog Tinkle goes missing. Perhaps he was merely taken by someone from the neighboring village, and not eaten by the leopard prowling the area. The young girl’s family, however, has other things to worry about: the cardamon harvest is not going as planned, and they are struggling for their mere existence. Guras is left on her own to look for her four-legged companion, but in this magical land of tea plantations, good advice awaits in surprising places… A mystical odyssey of painful loss that shows the different ways of mourning of children and adults.
Imago Director: Olga Chajdas Poland, Netherlands, Czech Republic, 2023, 113 min, World premiere
It is 1987 and the wind of change will soon also be sweeping across communist Poland. Ela is a young woman seeking refuge from the insipidness of a life hallowed by the regime, mixing with artists on the alternative scene, singing in clubs with her post-punk band, and attending alcohol-fuelled parties… In her second film director Olga Chajdas summons up vital energy to invigorate the music scene of the Baltic Tricity and, aided by the charismatic actress and co-scripter Lena Góra, she offers
the viewer a vivid portrait of a multilayered character – an inspirational artist forever enveloped in cigarette smoke, a woman struggling with her inner demons, yet also a fragile creature yearning for motherly love.
In Camera Director: Naqqash Kahlid United Kingdom, 2022, 96 min, World premiere
20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he makes a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multi-layered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
Maade Tarik / Dark Matter Director: Karim Lakzadeh Iran, 2023, 83 min, World premiere
An actor and actress are brought together during a casting for a mainstream film. They don’t get the roles, so they decide to make their own film instead. This will be a movie which defies the censorship rules, a film in which anything goes, and its makers won’t be held back by anything or anyone. The pair become a threesome when they get hold of a cameraman and director named Ziya, and the enchanting adventure can now begin. A burglary (the movie has to be financed somehow) marks the start of not only the shoot, but also a joyride, a game and a celebration of friendship and film. Dark Matter is a latter-day nod to the French New Wave and likewise a highly contemporary piece that reminds us why films are both a joy to make and to watch.
Maman Déchire / Keeping Mum Director: Emilie Brisavoine France, 2023, 80 min, World premiere
“Ever since my son was born, I have been having nightmares about my mother.” Without ceremony and with disarming sincerity, renowned French documentarist Emilie Brisavoine draws us into the universe of her somewhat distinctive family. After launching a charm offensive in Cannes eight years ago with a portrait of her half-sister and her family in Oh La La Pauline!, she now fixes her searching and troubled gaze on a fascinating and destructive element named Meaud: A punk mum who gave her daughter the gift of life and then kept running away from life itself; a spontaneous feminist and a beguiling grandma. A mesmeric, intimate odyssey into
the very depths of the soul, and a powerful cinematic cry from a filmmaker seeking traces of withheld emotion.
Say God Bye Director: Thomas Imbach Switzerland, 2023, 122 min, World premiere
“JLG is like a sun, as soon as you get too close to it, you burn. If you ignore it, you miss the light.” Respected Swiss director Thomas Imbach on the “god of film” who, as both man and filmmaker, has kept him spellbound his whole life. Chancing upon images of the ailing grand master, he was inspired to set off on foot on a pilgrimage from Lakes Zurich to Geneva to pay tribute to Godard and to attempt to persuade the latter to film with him. An original and playful video diary recorded during the trip, where loyal pilgrim Imbach looks back at his own career and conducts a dialogue with his magnetic role model. A road movie conceived – literally, “on his own two feet” – as an informed Godard masterclass about perceiving the world through film and much else besides.
