The Home Of Taylor Sheridan’s TV Shows Is Now Streaming A Modern Western Classic With 93% RT Score

The shows of Taylor Sheridan dominate the programming on Paramount+, and the streamer just added a classic modern Western with 93% on Rotten Tomatoes that perfectly complements his work – No Country for Old Men. Sheridan’s love for the Western genre should be obvious not only from his roster of streaming shows, including the maybe-over smash hit Yellowstone, but from his cinematic output as well.

The actor-turned-writer-and-director made his first big breakthroughs with a pair of neo-Westerns, scripting 2016’s Hell or High Water, and holding down both writing and directing duties on 2017’s Wind River. But it was on the small screen where Sheridan would make his biggest impact. 2018 saw the start of his ongoing run as one of streaming’s most prolific creators, and the first series out of the gate was a modern-day Western. Yellowstone broke huge in 2018, launching an entire universe of shows later to include the Western-themed 1883, 1923 and Lawmen: Bass Reeves.

No Country For Old Men Is Now Streaming On Paramount+

The Coen Brothers’ Thriller Is A Classic Neo-Western

Paramount+ subscribers hungry for more works in the neo-Western subgenre can now check out No Country for Old Men, which hit the streamer on June 1. Adapted from Cormac McCarthy’s novel, the Coen Brothers’ tension-filled neo-noir/Western thriller grossed $171 million worldwide, while winning four Oscars, including Best Picture. Critics gushed over the Texas-set film in 2007 and continue to do so, as indicated by its 93% fresh rating on Rotten Tomatoes.

It would not be a stretch to call No Country for Old Men the perfect example of the modern-day Western. Set in the 1980s, McCarthy’s book feels haunted by the legacy of the Old West and its violence, and the Coens expertly transfer that feeling over to the movie. Essentially a chase thriller, the film pits Josh Brolin’s noir-style anti-hero against one of movie history’s most memorable villains, the psychopathic Anton Chigurh, played with chilling menace by Oscar-winner Javier Bardem.

That No Country for Old Men influenced Yellowstone creator Sheridan can plainly be seen through his screenplays for Hell or High Water and Sicario, and his script and directing work for Wind River. Hell or High Water in particular feels heavily informed by what the Coen Brothers did with their 2007 Oscar-winner. Sheridan’s original Hell or High Water screenplay was nominated for an Oscar, but unlike the Coens’ script for their McCarthy adaptation, it did not win.

No Country For Old Men Is A Harder Take On Westerns, But Still Complements Taylor Sheridan’s Paramount+ Shows

Sheridan’s Shows Offer Their Own View Of How The Past Haunts The Present

No Country for Old Men is uncompromisingly bleak in its outlook on the world, completely laser-focused in its plotting and razor-sharp in its editing. While the Coens’ film seems precision-hewn from the coldest, hardest rock imaginable, the Sheridan streaming shows it now joins on Paramount+ feel roughly-sculpted out of much more malleable and forgiving material.

No Country for Old Men may indeed take a much harder approach to the neo-Western form than Sheridan’s shows, but the Oscar-winning film still slots in quite comfortably alongside the likes of Yellowstone‘s spinoffs. The clash between old ways and new is a major theme in Sheridan’s most famous stories, as it is in the Coens’ movie, where Tommy Lee Jones’ Ed Tom Bell laments the passing away of the world he grew up in, and the moral clarity that came with it.

Though Yellowstone spinoff 1923 is set in the past, qualifying it as a Western in the classic sense, it is concerned with many of the same themes as No Country for Old Men. Like Brolin’s Llewelyn Moss, the protagonists of 1923 are hounded by utterly ruthless foes, in a world where the old rules of right-and-wrong no longer seem to apply.

1923’s villains may not be as terrifying as Bardem’s Chigurh, but they give the horror-villain-like antagonist a run for his money in soulless brutality, showing how the powerful use violence to serve their ends, but sometimes fall victim to the very carnage they’ve unleashed. 1923‘s Whitfield (Timothy Dalton) eventually learns a harsh lesson about one’s actions coming back on them, as does No Country’s Carson Wells (Woody Harrelson) when the demonic Chigurh comes to kill his master.

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Though he makes soapy streaming shows instead of gritty movies, Sheridan’s brutality sometimes rivals and even surpasses that of the Coen Brothers. This is particularly true for 1923, in which the violence inflicted on characters like Teonna Rainwater and Alexandra Dutton becomes too extreme for comfort. While Sheridan can sometimes seem to revel in the punishment he inflicts on his characters, the Coens maintain a certain distance in a film like No Country for Old Men, observing the horror instead of relishing it.

Comparing his approach to violence with that of the Coens perhaps gives insight into Sheridan as a writer and director, exposing a sadistically exploitative strain running through his work. Those wishing to study how No Country for Old Men may have influenced – or perhaps not influenced – Sheridan’s neo-Western or Western shows can now do so without leaving the confines of Paramount+.