The Netflix Romance’s Most Game-Changing Moves Can’t Overcome the Show’s Worst Habit

Dearest gentle readers, it’s no surprise that in the roughly month-long hiatus between Parts 1 and 2 of Bridgerton Season 4, anticipation has only continued to grow. Netflix’s hit Regency romance series may have said goodbye to a few faces since its initial premiere almost six years ago(!), but as the show’s newly released episodes confirm, even actors who have since gone on to star in increasingly big projects (looking at you, Jonathan Bailey) are still willing to come back right when the show’s titular family is in their greatest hour of need. There’s not much that can be said about Bridgerton Season 4 Part 2 without venturing into serious spoiler territory, but plenty of eagle-eyed fans have already pieced together some clues from the steady trickle of trailers and images released in the gap between episodes. Suffice it to say, Bridgerton‘s return this week brings with it one of the series’ darkest turns yet, but it’s accompanied by the show embracing one of its worst narrative habits — effectively sidelining the main romance in favor of laying the foundation of what’s to come.

What Is ‘Bridgerton’ Season 4 Part 2 About?

In the aftermath of Benedict Bridgerton’s (Luke Thompson) proposal — to be his mistress, not his wife — Sophie Baek (Yerin Ha) finds herself wrestling with what accepting the gentleman’s offer would mean for her future, not just as a maid, but within society at large. Meanwhile, she’s still working for the family under Violet’s (Ruth Gemmill) roof, and the Bridgerton matriarch is starting to pick up on the vibes between her second son and her newest employee. Despite the two doing their best to embrace propriety, they still find themselves hopelessly drawn to each other, stealing forbidden touches behind closed doors. Although Sophie’s potential future as a mistress might be the best she could hope for, given her own station, the possibility of setting society’s tongues wagging isn’t the only thing she might have to worry about; her stepmother, Lady Araminta Gun (Katie Leung), has gotten word of where she’s been working, and won’t rest until she’s forced Sophie to face the consequences for absconding with those (admittedly paste) shoe clips of hers.

As for the rest of the Bridgerton family, Violet’s liaison with Marcus Anderson (Daniel Francis) continues to develop, although she, too, remains torn about whether she’s actually ready to become more than just a mother. With the support of her husband, Colin (Luke Newton), Penelope (Nicola Coughlan) considers whether it might be time for her to move on from writing her Lady Whistledown column for good. Eloise (Claudia Jessie) continues to clash with Hyacinth (Florence Hunt) over her little sister’s obsession with entering society, just as the last character anyone would ever expect steps back onto the scene with a new title and a desire to restore her disgraced reputation among the ton. Francesca (Hannah Dodd) is struggling to properly host the newest guest in her and John’s (Victor Alli) home: his vivacious, outgoing cousin Michaela Stirling (Masali Baduza). Oh, and Anthony (Bailey), Viscount Bridgerton, has a lot more on his plate to address than he planned upon his return home — like why his desk is littered with drawings of a mysterious woman in silver, and why Benedict is willing to put the family name at risk by taking a maid as his mistress. And that’s not even getting into the ongoing drama between the Queen (Golda Rosheuvel) and Lady Danbury (Adjoa Andoh) as the two longtime friends are forced to reckon with Agatha’s upcoming leave of absence.

‘Bridgerton’ Season 4 Part 2 Deepens the Romance Between Sophie and Benedict

Image via Netflix

Whenever Bridgerton does deign to check in on Sophie and Benedict’s ongoing romance, the moments viewers are treated to are definitely worthwhile. Their more intimate scenes in the back half of Season 4 simmer with a different kind of tension; ever since their steamy stairwell rendezvous, it’s not a question of if they’ll find the perfect opportunity to sneak off together, but when. The somewhat forbidden nature of their relationship, courtesy of Sophie’s current position in Benedict’s family home, constantly hovers over their interactions, making even the smallest shared glance between Ha and Thompson feel loaded with meaning. On a more intimate level, their love scenes in Part 2 skillfully walk a fine line between unapologetically steamy and deeply romantic. One only wishes there were more of them (but more on that later)!

What proves most compelling about Sophie and Benedict’s narrative in Season 4’s latter four episodes is that their push-and-pull isn’t rooted in whether their love exists — because it’s very clear how deeply these two have come to care about each other, despite Benedict not knowing that Sophie is his Lady in Silver — but rather in what the right decision for their future is. If Sophie agrees to become Benedict’s mistress, is she consigning herself to a future that’s lesser than what she’s truly worth? If Benedict actually makes Sophie his wife, will they be shunned and forced to live outside of society, risking his family’s name and the success of Hyacinth’s upcoming debut in the process?

Of course, any viewer familiar with Julia Quinn‘s An Offer From a Gentleman, the book that Bridgerton Season 4 adapts, already knows that the perfect legal solution will present itself, thereby paving the way for Sophie and Benedict to have their happily ever after. Before that happens, though, it’s lovely to see the Bridgertons defending Sophie against anyone who would threaten her livelihood or her reputation, ultimately serving as the family she never truly had. Along those same lines, the return of characters like Bailey’s Anthony Bridgerton (now sporting some handsomely rakish facial hair) allows for welcome reunion scenes that double as a reminder of the show’s strongest themes — and the fact that this family will always show up to support each other, no matter what.

‘Bridgerton’ Devotes Too Much Time to Setting Up Season 5’s Romance at the Cost of Season 4’s Love Story

While Sophie and Benedict’s romance in the last four episodes of Bridgerton Season 4 earns a handful of swoonworthy moments, it’s not the primary focus, and it points to a larger problem with the show’s overall narrative structure. In my review for Part 1, I mentioned that the show’s ever-expanding ensemble was threatening to push Bridgerton into overstuffed territory, with some characters earning little to no development compared to others, but what remained to be seen was whether the series would repeat Season 2’s biggest misstep — spending so much time establishing future romances that the present season’s love story pulls the short straw.

Unfortunately, Season 4 does fall into the very same trap. To a degree, some of this preparation is necessary, given that one of Bridgerton‘s upcoming romances begins in a very emotionally fraught place, and the show needs to afford that storyline the time and sensitivity it deserves. The issue arises when one episode is almost completely devoted to putting certain characters in place for a fifth season that may not even air for two more years, given Bridgerton‘s current release schedule. Perhaps if Season 4 had premiered in one batch of eight episodes, this choice wouldn’t have felt so flagrant, but combined with Netflix’s recent split-season release strategy, it’s hard not to weigh how much screentime is being subtracted from Sophie and Benedict’s romance. The story itself is handled as gently as one would hope, and it does result in a stunningly brilliant performance from Hannah Dodd, as Francesca is forced to navigate an unimaginable future for herself. Still, even a 10-episode order for Season 4, rather than eight, might have helped Bridgerton strike a balance between sowing enough seeds for future seasons and properly devoting attention to one of its boldest romances in the present.

Related

Every Major ‘Bridgerton’ Couple, Ranked

How does Benophie compare to the other iconic ‘Bridgerton’ pairings?

There’s also a sense that, as much as Bridgerton aims to push new boundaries and redefine what romance can look like within the strict rules of Regency-era society, it still frustratingly insists on maintaining the status quo for certain characters. In Season 4 Part 1, Violet’s arc as a widow and mother rediscovering her sexuality leads to an irresistible love-after-loss romance, but Part 2 results in a disappointing about-face for that storyline, especially when so much time was spent building up to it — and over multiple shows, to boot. The drama between the Queen and Lady Danbury is stretched to the thinnest and most repetitive version of itself right up to the finale, and others like Eloise or, frankly, either of the Mondriches (Martins Imhangbe and Emma Naomi) have very little to do within the overall scope of Season 4, given the show’s already overloaded cast.

There’s no question that the future of Bridgerton is assured; it’s already been confirmed to return for a fifth and sixth season, and any Bridgerton romances beyond that are likely still being plotted out. Season 4 also drops plenty of intriguing breadcrumbs that could breathe new energy into the series’ ongoing drama, including a late-stage twist for Lady Whistledown that has even Penelope reeling in shock and the surprise reemergence of a society pariah that genuinely prompted a gasp from this reviewer. Four seasons in, however, Bridgerton still hasn’t really figured out how to solve its worst habit, which the biggest constraints of streaming television render even more glaring. Sophie and Benedict’s romance is sprinkled with just enough steam and swoon to satisfy, but it should’ve been given ample room to utterly sparkle.

Release Date

December 22, 2020

Network

Netflix

Directors

Tom Verica, Tricia Brock, Alex Pillai, Alrick Riley, Bille Woodruff, Cheryl Dunye, Sheree Folkson, Julie Anne Robinson

• 

  Luke Thompson

  Lady Violet Bridgerton

• 

  Ruth Gemmell

  Benedict Bridgerton

• 

Pros & Cons

• Yerin Ha remains an absolute gift to this series as Sophie’s Cinderella story reaches a satisfying ending.
• Familiar faces return, both to add stability and potentially shake up the narrative.
• Hannah Dodd delivers her best performance yet as Francesca navigates an unimaginable tragedy.
• An interesting twist surrounding Lady Whistledown infuses new energy into Penelope’s storyline.

• The last four episodes devote so much time to setting up Season 5’s love story at the cost of Season 4’s romance.
• Violet’s most promising storyline comes to a disappointing conclusion.