The Pop Track Components Behind ‘High Gun: Maverick’

Welcome to The Queue — your every day distraction of curated video content material sourced from throughout the online. As we speak, we’re watching a video essay that explores why High Gun: Maverick’s greatest scenes hit like a pop tune.

In case you haven’t seen High Gun: Maverick but, congratulations, you’re a statistical anomaly.

And like all mainstream, in style media, High Gun: Maverick is an expertly crafted, emotional, and business product. This isn’t a slight; removed from it. In any case, popular culture is in style for a motive.

And very similar to different in style media, like pop songs, sure scenes in High Gun: Maverick comply with sure patterns. One among them uncannily so.

Early within the movie, Tom Cruise‘s titular aerial unhealthy boy is tasked with flying a hypersonic scramjet at Mach 10, or this system shall be closed. What follows is a push and pull of rigidity and launch that maps disturbingly nicely to the well-known call-and-response construction of a pop tune (e.x. verse / refrain / verse / refrain / bridge / verse / refrain / outro).

It’s a rollercoaster filled with ups, downs, twists, and turns. The essay makes an interesting taxonomic leap that I personally am going to steal transferring ahead (and you need to too). Pop music is “physique music.” Likewise, motion films are “physique cinema.” You are feeling it in your bones even when you know the way it’s going to prove. After all, Maverick goes Mach 10. The query is easy methods to make that journey as invigorating as doable.

Watch “This High Gun Scene Is Like A Good Pop Track”

Who made this?

This video essay on why a sure scene in High Gun: Maverick looks like a pop tune was created by The Nerdwriter, a.okay.a. Evan Puschak. The Nerdwriter covers every little thing from artwork to tradition, to philosophy and politics. Which is to say, uh, absolutely anything. You’ll be able to try The Nerdwriter’s eclectic again catalog and subscribe to their YouTube channel right here. And you may comply with Puschak on Twitter here.

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Associated Subjects: The Queue, Tom Cruise, High Gun: Maverick

Meg Shields is the standard farm boy of your goals and a senior contributor at Movie Faculty Rejects. She at the moment runs three columns at FSR: The Queue, How’d They Do That?, and Horrorscope. She can also be a curator for One Good Shot and a contract author for rent. Meg may be discovered screaming about John Boorman’s ‘Excalibur’ on Twitter right here: @TheWorstNun. (She/Her).