This 'Helluva Boss' Character Steps Into the Real World in Brandon Rogers’ 'A Night at the Park' [Exclusive] - Sunburst Viral- Latest News on Celebrities, gossip, TV, music and movies

Summary

Collider’s Hannah Hunt talks with Helluva Boss’ Brandon Rogers about his upcoming YouTube special, A Night at the Park.
In this interview, Rogers explains his creative process and how it’s changed since A Day at the Park.
Rogers also shares exciting, exclusive news that A Night at the Park will feature a live-action Hellaverse fan favorite and as well as a cameo from creator Vivienne Medrano.

Brandon Rogers is returning to one of his most beloved settings, but this time the park looks very different. The comedian, actor, and Helluva Boss star revealed to Collider’s Hannah Hunt in a recent interview that his upcoming YouTube special, A Night at the Park, which is set for a September 19 debut, will not only continue the world introduced in A Day at the Park and A Day at the Beach, but will also feature a major Hellaverse crossover: a live-action Blitzø. “Oh, I think I can also say that there will be a live-action Blitzø in A Night at the Park,” Rogers teases. “And Vivienne Medrano herself is also gonna be making a cameo.”

It’s a big creative swing for a project that already comes with towering expectations. The first two videos have a combined 80 million views, an audience Rogers jokingly likens to an entire country demanding a sequel. “That’s like Germany wanting a sequel,” he says with a laugh. “I think anything past 500 people, I can’t comprehend how big of a crowd that is. But yeah, it’s something I’ve been wanting to make for a long time.”

And just to raise the bar further, Rogers confirmed another celebrity guest appearance (one of several additional in the video): YouTube sensation Rosanna Pansino. The two last collaborated when they co-hosted the 2019 Streamy Awards, and he’s been eager for a reunion ever since. “I’ve been dying to work with Rosanna since we hosted the Streamy Awards in 2019,” he said in a statement following the interview. “Her commitment to the role surpassed any expectations I had: we’re definitely not holding back!”

Pushing His Craft Into the Shadows

A Night at the Park presents new challenges for Rogers.

Unlike its predecessors, A Night at the Park is being filmed under the creative challenges of a nighttime production. That shift, Rogers says, has made this his most technically demanding shoot to date. “It takes place at night, and so everything is harder at night,” he explains. “I feel like I’ve developed my craft quite a bit, but the challenge of shooting at night presents difficulties that I am barely equipped to deal with now. So, it’s been a very fun test of strength and a very fun challenge.”

The complexity doesn’t stop with lighting setups. Rogers’ creative process has evolved since the first Park video, when he prioritized speed and viral appeal over perfection. “I almost spent no time filming or writing… I was obsessed with going viral,” he admits. “Now I rethink things over and over. Almost every joke, I have alts for them. I just want to make sure that… in this universe, we got the best jokes in this video.”

The result is a script that’s more refined than what Rogers has done in the past, with him taking the time to weigh multiple versions of each scene and joke rather than racing to hit the upload button. “I don’t feel like I have as much to prove other than just giving a good follow-up to something that’s very meaningful to me,” he tells us. “Now I have this luxury of… taking extra time with it and polishing it a little bit more, and making sure that it’s absolutely ready by the time it comes out.”

The Hobby Mindset Behind the Madness

A Night at the Park is still driven by Rogers’ passion.

For all of A Night at the Park’s ambition, it is still rooted in the same spirit that drove Rogers’ earlier videos: fun. He explains:

“Not trying to cram five scenes into one day, or just taking my time with things, and really making it more of a hobby than a job, because at the end of the day, that’s what it was. It always was a hobby, and I try to maintain it being a hobby that I just happen to get paid for, and that people tune into. The people watching, and the money from it, is all one big, beautiful byproduct of something that I initially started because I loved it so much.”

That passion is what Rogers credits with sustaining him creatively, even as his audience has grown. “I never did it to grow this massive audience. So now that I have one, it is a nice extra reason to take extra time with it and polish it a little bit more.”

The Art of Mixing Humor and Heartache

“You kind of need one to really appreciate the other.”

Rogers’ work has always been a balancing act between absurdist comedy and unexpectedly heartfelt moments, a mix he says comes naturally. “I think I definitely try to normalize the sadness of clowns,” he reflects. “Comedy and tragedy coexist every day in our lives… You kind of need one to really appreciate the other. Tragedy is a very beautiful thing… and I really try to work beautiful tragedies into as many of my stories as possible.”

It’s an approach influenced by his love of Shakespeare, where humor and heartbreak often share the same stage. “I grew up with a lot of Shakespeare in my childhood and into my teen years, and just the idea of a beautiful tragedy has never worn its welcome on me,” he says. “At the end of the day, I think I’m a storyteller more than I am a comedian or a filmmaker. Acting and editing and writing, those are all just vessels in which I can express those things.”

The Expanding Rogers-verse

Rogers likens his expansive cast of characters to a growing comic book universe, where individual figures inevitably cross paths. “Surely one’s gonna meet the other, or maybe all of them will meet each other, and then maybe they pair off or spin off, or one kills the other,” he jokes. That spirit is what makes the addition of a live-action Blitzø such a natural fit. It’s a collision of worlds — his own eccentric YouTube personas and the Hellaverse that has brought him to an even wider audience.

“I started with creating individual characters… and then I found that they all can cohesively exist,” he says. “It’s just fun. I love creating these characters and then giving them a story to go on.” For Rogers, A Night at the Park is more than just his most ambitious video yet, it’s a celebration of everything that’s brought him here: the fans who have followed him across formats, the collaborators who have shaped his work, and the characters — both real and fictional — who have lived in his universe for years.

And this time, every character gets their moment in the moonlight.