Zach Cregger’s WEAPONS is a Wickedly Twisted, Unpredictable Horror Ride — GeekTyrant

Zach Cregger has done it again and he’s gone full nightmare chaos mode. His new horror film Weapons is a delirious, nightmarish thrill ride that manages to be scary, hilarious, disturbing, and strangely fun all at once.

Going in, I didn’t know exactly what to expect. I liked the trailers, but Cregger himself said they barely scratched the surface of the story. He wasn’t lying, what unfolds here is something far weirder, wilder, and more unpredictable than anything those preview clips hinted at.

From the opening scenes, you’re dropped into a mystery that makes your brain itch. Seventeen children vanish from the same classroom at 2:17am with no signs of a struggle, few clues, no reason why.

As you might imagine, families are desperate, the community is on edge, and you’re right there with them, trying to piece together what’s going on. But Cregger doesn’t let you get comfortable. Just when you think you’ve figured it out, the movie yanks the rug from under you, sending you spiraling into another layer of madness.

The tone is fascinating because Weapons walks a fine line between pitch-black terror and mischievous fun. Yes, it’s dark, really dark at times, but it never feels oppressive. Instead, it toys with you, messing with your head one moment and making you laugh in sheer disbelief the next.

It’s like Cregger understands the exact spot where fear and laughter overlap and decides to set up camp there. You’ll scream, then you’ll chuckle, and you’ll probably feel weird about it.

It helps that the cast is firing on all cylinders. Josh Brolin brings gravitas and grit, Julia Garner is magnetic in every scene, and Alden Ehrenreich and Austin Abrams add a little big of humor and ridiculousness to the chaos.

Amy Madigan is the real scene-stealer, delivering a performance that creepy and unsettingly as hell. Everyone here seems fully committed to Cregger’s unhinged vision, which makes the insanity of it all that much more convincing.

Visually, Weapons burns itself into your brain. Cregger crafts some seriously unsettling imagery, there are moments that will stick with you after you leave the theater. It’s the kind of horror that follows you home, lurking in the back of your mind as you’re trying to fall asleep. And yet, despite the nightmare fuel, it’s impossible not to admire how carefully it’s all composed. There’s a real artistry to the madness.

The ending of the film is absolutely bonkers in the best way possible. It’s a finale that’s gruesome, disgusting, hilarious, and incredibly satisfying. The road to get there is a little winding, some moments feel deliberately meandering, but when it all clicks, the payoff is worth it.

Cregger’s biggest achievement here might be the way he juggles tone. Very few filmmakers can balance sheer dread with moments of sharp, twisted humor without one undermining the other. But Weapons makes it feel effortless. It’s bold, it’s strange, and it’s brimming with personality.

In the end, Weapons is an unpredictable, ambitious genre-bender that proves Zach Cregger isn’t just a one-hit horror wonder. This is clever, creepy, and wildly entertaining filmmaking that knows how to tell great horror stories! This movie is worth watching on the big screen!