When you think about it, there are endless bands that embody the Halloween spirit. The Cramps were foundational in the horror-punk genre we know and love today, howling out anthems like “I Was A Teenage Werewolf” and “The Creature from the Black Leather Lagoon.” Ice Nine Kills’ music encompasses the ultimate slasher flick, dreaming up gory songs that reference A Nightmare On Elm Street, The Texas Chain Saw Massacre, and Friday the 13th. Davey Havok’s involvement in horror supergroup Son of Sam in the early 2000s — alongside Danzig guitarist Todd Youth and Samhain bassist Steve Zing — created a truly powerful blend of deathrock, psychobilly, and the classic Misfits-esque sound that inspired AFI’s beginnings in Berkeley. But what about songs that are just plain terrifying?
Read more: 15 best final girls of all time, ranked
With Halloween drawing near, we wanted to find out what our readers consider the creepiest rock songs ever. Find the top fan picks ranked below.
5. Nirvana – “Polly”
When Nirvana’s major-label debut, Nevermind, came out in 1991, it was filled with defining highs like “Smells Like Teen Spirit” and “Come As You Are.” On the other end, though, there were ballads like “Polly,” a song that had been written and recorded years prior, but many people are unaware of its disturbing real-life inspiration. The song is based on the kidnapping and assault of a 14-year-old from Tacoma, Washington, in 1987, only an hour-and-a-half away from their hometown of Aberdeen. It’s a hard listen but harder to ignore, which is exactly the point. Kurt Cobain was an outspoken feminist and used this song to express his horror of sexual violence and misogyny, delivered in an eerie calm that makes listeners feel its ugliness.
4. The Cure – “A Forest”
The forest can be a menacing concept. There’s the isolation, the threat of danger, and the thick, dark, and unknown environment that triggers an innate fear of intense vulnerability. All of this plays into the Cure’s “A Forest,” where its creepiness doesn’t come from shock or gore but from its tense atmosphere. The song builds around a hypnotic bassline and minimal guitar riffs, while Robert Smith is lured to “come closer and see/See into the trees/Find the girl/While you can.” It went on to become the lead single from their second album, Seventeen Seconds, and took more time to record than any other song on that album, though the effort paid off. “It was probably the turning point when people started listening to the group and thinking we could achieve something, including me,” Smith told Chicago Tribune in 1992.
3. Radiohead – “Creep”
Perhaps it was our readers being cheeky, but Radiohead’s “Creep” didn’t make this list because of its sheer horror — but rather because of its deeply unsettling atmosphere. Is there anything more terrifying than intense self-loathing? Plenty has been written about this song, enough that even the most baseline fan knows that Radiohead have a famously complex relationship with it — their biggest hit turned into frustration after endless radio play, refusing to play it live — though it did help to pave the path for their whirlwind career. There’s no OK Computer or In Rainbows without its success.
2. My Chemical Romance – “Mama”
When it comes to My Chemical Romance’s The Black Parade, “Mama” remains its most unique song, but our readers also consider it the creepiest. Weaving together nightmarish cabaret, black humor, and an unexpected collaboration with Liza Minnelli, the track is a total showstopper. As “Mama” goes on, it becomes clear that the narrator is coming undone, entrenched in guilt and death from his time at war. The ending — screaming, laughing, a violin — is just the cherry on top. If you’d rather see for yourself, check out the live version from Mexico City in 2008, where the band go for broke.
1. Korn – “Daddy”
“Daddy” is the darkest that Korn have ever gotten, which is why our readers voted it as the creepiest rock song, period. As the finale of their 1994 self-titled debut, “Daddy” is a near-20-minute sprawl through Jonathan Davis’ damaged headspace, recounting an experience with child abuse and breaking down during the recording session with producer Ross Robinson (who was known to inspire this type of reaction). For this reason, Korn never played the song live, though they did throw it into their setlists around the full-length’s 20th anniversary. “Going out and touring that record, I realized how dark it is — it’s some depressing shit,” Davis said in 2022. “As we got into Follow The Leader, it became more about groove. The emotion was there, but it wasn’t that particular darkness we captured on that first record.”















