I went into Sketch thinking it would be a cute, family-friendly diversion, something along the lines of the lighthearted summer movies I grew up with. The trailers looked fun, the concept seemed charming, and I was expecting a good time.
What I wasn’t expecting was to walk out of it thinking, “This might be one of my favorite movies of the year.” It’s imaginative, surprisingly emotional, and it’s just a blast to watch from start to finish. While I enjoyed films like The Fantastic Four: First Steps and Superman, Sketch was a far superior film in story and character development.
The story centers on a young girl named Amber, played wonderfully by newcomer Bianca Belle, who’s struggling with a recent family loss. Her way of processing grief is… unconventional, as she pours her emotions into a sketchbook, drawing strange, violent, and often monster-filled images.
It’s therapeutic for her, at least until the sketchbook falls into a mysterious pond and her creations literally come to life. Chaos follows, and Amber, her brother, and their father must find a way to wrangle the creatures before the whole town becomes an art project gone nightmarishly wrong.
The film has a ton of energy, bouncing between whimsical family adventure and darker emotional beats without ever losing its balance. Tony Hale gives a strong, grounded performance as the father desperately trying to hold his family together, while D’Arcy Carden and the rest of the cast including Kue Lawrence, Kalon Cox, Jaxen Kenner, and Genesis Rose Brown, fit perfectly into this quirky world.
It’s rare to see child actors handle material that’s both funny and emotionally heavy so convincingly, but this cast nails it.
What makes Sketch stand out is how it weaves a heartfelt exploration of mental health and trauma into a creature feature. It’s not just about wacky monster hijinks (though those are great); it’s about a family confronting grief head-on, even when the grief has claws and teeth.
Writer-director Seth Worley, making his feature debut, shows an impressive ability to balance humor and heart. His approach feels like the lovechild of Amblin-era Spielberg, Joe Dante mischief, and Pixar’s emotional punch, blended together into something fresh.
Visually, the film pops. The monsters are creepy, yes, but also playful in a way that makes them accessible for younger audiences. It’s the kind of movie that kids will enjoy for the spectacle, but as they grow older, they’ll realize just how deeply layered it really is.
The animation work is impressive, with creature designs that feel both unique and lovingly handmade, and the editing keeps the pace snappy without sacrificing emotional depth.
Watching Sketch in the theater, I couldn’t help but feel frustrated that so few people were there to see it. This is exactly the kind of original, unique movie that audiences always say they want, yet it’s struggling to get noticed in a market dominated by sequels and reboots.
Worley’s film isn’t riding on a famous IP or an A-list ensemble, it’s driven by its strong story, its wonderful characters, and the passion behind it. That’s rare, and it’s worth celebrating.
More than anything, Sketch reminded me of the movies I grew up with in the ‘80s and ‘90s, those slightly dark but endlessly rewatchable family adventures that stick with you for years. It’s smart, funny, adventruous and heartfelt. It also inspires creativity.
If you’re looking for a summer movie that will make you laugh, tug at your heart, and leave you grinning on the way out, go see Sketch. Bring your kids, your friends, your parents, anyone who loves a good story told with passion and imagination.
This is the kind of movie that doesn’t just entertain you in the moment; it stays with you, nudging you to look at your own “monsters” a little differently. We could all use more movies like this.
